Everyone knows the saying “don’t judge a book by its cover”.
And it’s true. Sometimes the best, most memorable stories you read are the ones that did not necessarily have an eye-catching, or aesthetically pleasing cover.
So, in light of this, I feel that I must confess that I do, on occasion, judge a book (and make my decision whether to read it or not) based on its cover.
One such example is The Winner’s Curse. The cover immediately caught my attention, and so I felt I had no choice but to read it.
Kestrel is the daughter of a general in the vast Valorian Empire. Living in a war driven society, Kestrel knows that the law requires her to choose one of two life options: join the military like her father, or get married. Neither idea appeals to Kestrel, whose passion lies in playing the piano – a skill normally only permitted to be practiced by the Herrani slaves of the region.
One day, while in the city, Kestrel finds herself attending a slave auction. Kestrel senses something of herself in Arin, the Herrani slave for sale, and against her better judgement and common sense, Kestrel purchases him for an exorbitant sum. Kestrel starts developing feelings for Arin, and she finds this growing love strange and unnerving. However, Arin has secrets of his own and Kestrel soon discovers that a split second decision at a slave auction may cost her everything she has ever known and loved.
I love the idea behind this book, that of the winner’s curse phenomenon. It is an economic theory that basically states that at an auction, the winner, although having won the item for sale, has also lost because they have paid more for the item than what the majority of bidders have felt it was truly worth. Ultimately though, you never know what value the item may hold in the future, so the idea of the winner’s curse is about that very moment of winning.
I feel like I may have been a victim of the winner’s curse with this book.
While the idea behind this novel was great, the novel itself is a run of the mill young adult (YA) fantasy novel – think, a cross between A Game of Thrones and The Jewel, except less medieval and less dystopian. This book, for me, was okay. It wasn’t great, it wasn’t terrible – it was just an average read. There was nothing different, nothing to distinguish it from every other YA fantasy/romance novel around at the moment. It’s a familiar formula that I have seen over and over again in one form or another – rich, elite girl falls for handsome, rogue slave. Their love makes them question their preconceived beliefs of society and the status quo. An uprising occurs which tests their love and their beliefs, and cue book two 12 months later.
I felt it difficult to connect with either Kestrel or Arin. Throughout the course of the novel, they both made decisions that were completely illogical, and made no sense whatsoever, and this is what made it so hard for me to relate to them in any way. Kestrel in particular was a rather frustrating character. She claims to want freedom and to defy social norms when it comes to her own life. However, as soon as anyone else – primarily Arin – wants things to be different, and actually starts to do something about it, Kestrel says it’s wrong, that it goes against societal values, and starts defending the way things are. I felt like yelling at her “You can’t have it both ways!”
In saying all that, the second half of the book was much more interesting than the first, as this is when things really start to kick off. The first half of the novel tended to plod along, and was cluttered with Kestrel’s inner turmoil, and Arin’s brutishness, whereas the second half of the novel is when the action starts to take place as the rebellion begins to get in to full swing.
I think that YA readers 14+ who enjoy this kind of novel will love it, but I felt for me, it just wasn’t as good as it had the potential to be.